Taylor Swift unabashedly shows love to Travis Kelce on ‘Showgirl’



Travis Kelce becomes Taylor Swift’s sweetest muse for ‘The Life of a Showgirl’

Taylor Swift flipped the script on her Prophecy after she fell in love with Travis Kelce, and was saved from the fate of Ophelia and she sings about it loud and proud on her new album.

The 35-year-old pop superstar references her fiancé, also 35, multiple times throughout the album, which is her most joyous and romantic album yet.

All the times Taylor Swift mentions Travis Kelce on The Life of a Showgirl

Starting from the first song on the album, The Fate of Ophelia, the Grammy winner sings, “Keep it one hundred on the land (Land), thе sea (The sea), the sky/ Pledge allegiance to your hands, your team, your vibes,” which begins with the reference to Kelce’s much used phrase, as well as an Easter egg he dropped on his Instagram caption.

In Opalite, the title is a direct reference to Kelce, since it is his October birthstone, the Eras Tour performer sings, “But now the sky is opalite / Oh my lord, never met no one like you before.”

On track 5, which tends to be Swift’s tearjerkers, with her role of an Eldest Daughter, she sings about being emotionally closed off to protect herself despite wanting the romantic connection, and how the NFL star broke that pattern.

“When I said I don’t believe in marriage, that was a lie / Every eldest daughter was the first lamb to the slaughter.”

“Every youngest child felt they were raised up in the wild / But now you’re home,” as Kelce is the youngest child counterpart to Swift’s eldest daughter.

On her pop anthem, Wi$h Li$t, the Anti-Hero hitmaker vows to give up worldly riches in favour of a simple life with her husband-to-be.

“I just want you / Have a couple kids, got the whole block lookin’ like you. I made wishes on all of the stars / Please, God, bring me a best friend / Who I think is hot,” sings Swift.

In her song, Wood, Swift playfully plays with words as she sings some of her most explicit lyrics, with a special mention of her engagement, “Girls I don’t need to catch the bouquet, mm, to know a hard rock is on the way.”

Kelce’s podcast, New Heights, also gets a special mention on this song.

As the 11th track, Honey, plays, the global megastar directly references one of the names Kelce called him during their podcast episode, along with “sweetie.”

“But you touch my face / Redefine all of those blues / When you say honey,” she sings.

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